Andres acosta tenor gay

The kindest character in the opera, she knows and cares for both men and, unlike anyone else in their circle, can be trusted with their secret. Pierce made frequent use of repetition, the same phrase being said a number of times in short succession.

Based on a novel by Thomas Mallon, Fellow Travelers, a opera by Gregory Spears, with libretto by Greg Pierce, ties that question together with the fraught relationship of two gay men in the political maelstrom of McCarthy-era Washington. Protagonists Hawkins “Hawk” Fuller (baritone Joseph Lattanzi) and Timothy Laughlin (tenor Andres Acosta) are fellow travelers on a journey of love and loss, facing forces that make authentic lives unbearably costly.

Hi Susan… interesting. Bob, thank you for your informed and thought-provoking review. He grapples movingly with the tension between the strictures of his faith and the joy and fulfillment he has found, for the first time, in the arms of a man, especially in a powerful first-act aria set in a church.

Latinx Voices Andres Acosta

Only, I might question if this was indeed a love story. The opera follows Timothy Laughlin (Cuban-American tenor Andres Acosta, a Miami native), a college graduate just starting his career with a job in a senator's office. Directed by Kevin Newbury, the production moved smoothly through its short, cinematic scenes, as actors wheeled set pieces in and out on an otherwise bare stage.

I photographed this and did a review for Digital Beat Magazine and I too saw it, to a large degree, as one in power taking advantage of the naive and innocent… Loved the production!! Andres Acosta as Timothy Laughlin and Hadleigh Adams as Hawkins Fuller in the Minnesota Opera production of Fellow Travelers.

Andres Acosta Tenor Performances

He reprises the roles of Tony (West Side Story) at Teatro Lyric de Cagliari and Timothy Laughlin (Fellow Travelers) at Virginia Opera, and he debuts the role of Javier in the world premier of Ghosts at San Diego Opera. The third major character in the opera is Mary Johnson soprano Katherine Pracht.

Hawk says his motive is to make Tim hate him, thereby liberating Tim from an emotional bond that can never give Tim what he wants. I too attended the performance of Fellow Travelers on Sunday. While the program did not identify an intimacy coordinator, the intimate scene between Tim and Hawk that initiates their relationship was quite beautifully crafted, both for visual and musical purposes.

For Rothstein, the oppressive atmosphere of a period when homosexuals were routinely dubbed "sex perverts" by the government has a profound effect on every character in the opera. Laughlin and State Department official Hawkins "Hawk" Fuller (New Zealand baritone Hadleigh Adams, a veteran of FGO's production of "A Streetcar Named Desire") cannot deny their growing attraction despite the danger of being.

The creators and singers carefully delineate the differences between the two men. To Mary, whom Hawk tasks with telling Tim what he has done, it is simply a despicable betrayal. Hawk is older, a mid-level State Department official, as well practiced in the art of concealing his sexuality as he is in suavely leading a young man like Tim to fall in love with him.

Thomas C. The playbill for Fellow Travelers is online here. Andres Acosta is a phenomenal tenor who fits the bill, recently debuted an opera called Fellow Travelers. Acosta's season features a number of house debuts including Seattle Opera and Hawaii Opera Theatre.

The creators and singers carefully delineate the differences between the two men. The score is nicely detailed: acosta first kiss between Tim and Hawk, for example, is underscored by ominous chords. In what might be regarded as a andres of why despair has traditionally been considered a sin, Hawk sings a slow, quiet, sad, low-voice aria about the futility of hope for such a life.

To the red-baiting scaremongers of the time, a fellow traveler was someone who, while not being a card-carrying member of the Communist Party, parroted the party line. The opera is about the Lavender Scare tenor the LGBT community in the s, and definitely worth a listen considering the few YouTube videos I’ve been able to find.

This aria, near the end of act two, takes place inironically the same year that, also here in Washington, Frank Kameny, newly fired from his government job for being gay, began to imagine the long fight that ultimately culminated in dramatic gains for workplace and marriage equality.

He willingly enters into what is, for him at least, a marriage of convenience with a woman, the better to camouflage who he is, while still working to maintain a sexual connection with Tim. Tim wants more: a happy, ordinary domestic life with the man he loves.

You picked out nice ideas. Somewhat disappointingly, Tim does not grapple gay a similar way with the disconnect between his sexuality and his right-wing politics. Tim is young, just graduated from college, seeking work as a Congressional staffer.